The influence of Arnold Schenberg on the musical stylistics of the XX–XXI century

The article analyzes the specifics of Arnold Schoenberg's creative method. Attention is paid to periodization his work. Schoenberg was not first composer, who invents dodecaphonic technique, but he gave it a complete and logical expression. arrival system certain experiment or coincidence. It part natural process that resulted from gradual transformation composer's worldview. composer in some works belong late period creativity, tried combining elements different styles, without striving adhere single style. This factor further confirms thesis foreground for Schoenberg, artistic truth authenticity statement. A. Schoenberg convinced only has large auditory baggage can turn method, because use dodecaphony introduces many restrictions. determined exclusive role form school whose representatives worked direction. Among students, worth mentioning, addition A. Webern A. Berg, also Ernst Kshenek, Egon Welles, Hans Eisler, Stefania Turkevich. formation its design within activities Novoviden school, occured simultaneously with work other composers. emphasized technique twelve sounds introduced at same time by Ukrainian Yu. Golyshev. leading importance academic art emphasized. systematic activity - theoretical, compositional teaching A. Schoenberg, allowed become model creators have already their own discretion. used composers Western European tradition, as well artists, particular V. Silvestrov, L. Grabovsky Yu. Ishchenko.